Why copyright termination heralds a perfect storm

Managing IP is part of Legal Benchmarking Limited, 1-2 Paris Gardens, London, SE1 8ND

Copyright © Legal Benchmarking Limited and its affiliated companies 2026

Accessibility | Terms of Use | Privacy Policy | Modern Slavery Statement

Why copyright termination heralds a perfect storm

For those AIPLA Annual Meeting attendees who (mis)spent their youth dancing to the Village People’s disco classic YMCA, it might come as something of a shock to realise that the band released the song almost 35 years ago

The song’s age is significant, because section 203 of the U.S. Copyright Act gives authors the right to terminate grants of copyright made after January 1, 1978, as long as they exercised the grant at least 35 years ago.

Kevin C. Parks of Leydig Voit & Mayer spoke at an AIPLA Annual Meeting session on copyright entitled Copyright Openings and Closings-Open Source, the OPEN Act, and Termination Rights. He explained why the law has the makings of a perfect storm—or at least a perfect storm of litigation, using YMCA co-writer Victor Willis as a case study.

Willis (the Village People’s “cop” and lead singer) assigned his rights in a series of Village People songs to a music publishing company soon after writing them. Willis married a lawyer in 2007 (“a good move,” said Parks), and later filed a notice of termination on publisher Scorpio Music. It responded by seeking a declaratory statement that the notice had been improperly filed, claiming that since Willis did not represent a majority of the joint authors of the songs in suit he could not unilaterally terminate the assignment.

But in May, a California court ruled that Willis was entitled to reclaim his copyright in the songs since he had transferred his copyright interest separately from the other authors.

“Although it was a narrow holding, it was definitely round one to the creative community,” said Parks. Now other music is subject to termination notices, with Bob Dylan, Tom Petty and Kris Kristofferson among those seeking the return of their rights.

Yet the ruling may not strip music publishers of their catalogues, said Parks. Not all artists want to manage and exploit their own rights: it’s a complex, time-consuming business that many are happy to leave to specialists. There may also be commercial advantages to leaving all of their copyrights in one place. That means that many artists will choose to negotiate new, more generous terms for their copyright assignments rather than reclaim the rights.

Parks left the audience with his own, updated version of Willis’ song: “Young man,” he said. “It’s fine to (terminate) YMCA.”

Download the AIPLA Daily Report, published by Managing IP from Washington, DC from our conference newspapers page.

more from across site and SHARED ros bottom lb

More from across our site

Two New Hampshire IP boutiques will soon merge to form Secant IP, seeking to scale patent strength while keeping a lean cost model
While the firm lost several litigators this month, Winston & Strawn is betting that its transatlantic merger will strengthen its IP practice
In other news, Ericsson sought a declaratory judgment against Acer and Netflix filed a cease-and-desist letter against ByteDance over AI misuse
As trade secret filings rise due to AI development and economic espionage concerns, firms are relying on proactive counselling to help clients navigate disputes
IP firm leaders share why they remain positive in the face of falling patent applications from US filers, and how they are meeting a rising demand from China
The power of DEI to swing IP pitches is welcome, but why does it have to be left so late?
Mathew Lucas has joined Pearce IP after spending more than 25 years at Qantm IP-owned firm Davies Collison Cave
Exclusive survey data reveals a generally lax in-house attitude towards DEI, but pitches have been known to turn on a final diversity question
Managing IP will host a ceremony in London on May 1 to reveal the winners
Abigail Wise shares her unusual pathway into the profession, from failing A-levels to becoming Lewis Silkin’s first female IP partner
Gift this article