UK launches orphan works licensing scheme

Managing IP is part of Legal Benchmarking Limited, 1-2 Paris Gardens, London, SE1 8ND

Copyright © Legal Benchmarking Limited and its affiliated companies 2026

Accessibility | Terms of Use | Privacy Policy | Modern Slavery Statement

Cookies Settings

UK launches orphan works licensing scheme

The UK has opened up access to more than 91 million copyright works with a new orphan works scheme consisting of an electronic application system and searchable register of licences granted

Alfred Wallis

The scheme, administered by the UK IPO, comes into operation today, and covers works that are protected by copyright but where the rights owners cannot be found. It will enable users, such as museums and libraries, to obtain a licence from the IPO to reproduce the works.

Applicants for a licence must show that they have conducted a diligent search for the right holder and pay an application fee and a market rate royalty to use the work. The royalty will be paid to the right holder if they come forward. More information for rights owners is available here.

The IPO has published guidance on what constitutes a diligent search. It will maintain a register of works subject to an application, licences granted and licences refused.

Today also sees the EU Directive on orphan works transposed into UK law. The Directive was agreed in October 2012, and EU member states have until tomorrow (October 30) to implement it.

The Directive covers works first published in the EU where the copyright is protected but the rights owners cannot be located. It applies to printed works, cinematographic and audio-visual works, phonograms and works embedded or incorporated in other works (such as pictures in a book).

It also applies to unpublished works, under certain conditions.

The picture shows “Houses at St Ives Cornwall”, one of 12 paintings by Alfred Wallis owned by the Tate. Wallis died in 1942 and had no surviving family so the pictures were orphan works until 2012. The picture is on loan to the Middlesborough Institute of Modern Art. The Tate has so far been unable to reproduce Wallis’s unpublished literary works that are held in its archive. Reproduced with permission

more from across site and SHARED ros bottom lb

More from across our site

The firm reveals how its litigation strategies informed the arguments that took Masimo’s judgment past $818 million
The firm was rebuilding its IP practice through a string of patent hires and a Texas expansion, but its dissolution has put the newly built talent back into the market
AI can exploit longstanding gaps in copyright protection at remarkable speed, but EU law still provides tools to fight back, says Simon Hembt at Bird & Bird
The firm has tapped a local patent trio to establish a foothold in the market and broaden its national presence
New Asia-Pacific IP head Jonathan Chu is eyeing opportunities arising from Chinese technology licensing, overseas enforcement and increasingly IP-heavy cross-border deals
Europe’s largest intellectual property convention and trade fair is back: IP Service World 2026 takes place in Munich from November 23–25 – the 16th edition, with 1,400-plus attendees from 55-plus nations, 100-plus speakers, and 100-plus exhibitors. Three days. Two focused areas. One IP marketplace.
Mehmet Gün and Uğur Aktekin discuss four decades of change in Türkiye’s legal market, the firm’s commitment to independence and the challenge of building an institution that can outlast its founders
Boehringer Ingelheim has instructed a team from Kirkland, while Teva is being represented by Pinsent Masons
The Delhi High Court’s latest directions offer an opportunity to move beyond remedies against bad-faith registrations and address how suspicious applications are identified in the first place, says Fatima Baig at Lexlinc
Camilla Hamrin describes how the acquisition by Acapo Onsagers will impact Bergenstråhle’s trademark practice – and reflects on changes she has seen over 30 years in IP
Gift this article